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so sioux me

by chris klippel

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1.
Dawn 02:28
wake up, wrap your arms around you: the summer dawn (you the summer dawn) and nothing yet stirs on the face of the dirt, no and the water was dead and the shadows still camp on the road ahead (on the road ahead) and i walk, waking quick oh yeah and i follow my breath and the light's making lines through it light penetrates life and death BOTH life and death (life and death both life and death) a flower who told me her name in a path (in a summer path) already filled with fresh, pale gleams and the first venture was and i laughed at the blond wasserfall and tousled through the pine on a summit i recognized the girl (i think i know her) then, one by one, i lifted her veils and i was waving my arms, i notified the cock OH (notified them) in the city she fled among the steeples (tried to find her) and the domes, and running running like a beggar (running like a) on the marble quays i chased her. (running like a) - Based on "Dawn" from "Les Illuminations" by A. Rimbaud
2.
(one two three one two three) its what i desire, all my trouble its what i desire, all my trouble and all my pain what compliments the pain? its what i desire, all my trouble so bodies in control, bodies beaten cold. what's seperate is not true: ive seen the same image twice. its what i desire, all my trouble its what i desire, all my trouble and all my pain what compliments the pain? its what i desire, all my trouble so bodies go to war, what are bodies for? they're one as well as two: ive lived in more than just this time. its what i desire, all my trouble its what i desire, all my trouble and all my pain what compliments the pain? its what i desire, all my trouble (bust a flow) so bodies then will give me blow when im driving down the road this bitch is slobin my cock she'll be slobin his cock all day and night aint no joke up in this bitch, bitch suck my tits its what i desire, all my trouble its what i desire, all my trouble and all my pain what compliments the pain? splif's what i desire, all my trouble (i didnt say spliff)
3.
That silly green monster's following me to my death. That high blue kite is wondering what is up in the sky. Those blue-suede shoes are walking all over me and you. You be my Betty-Boop and we'll do the loopy-loop all night long, and we'll sing this song all night long.
4.
my jaw hurts from all the stress: i clench, i bite, i press, i fight. my jaw hurts from all the pills ive tried to keep my life straight, still i wander. . . ive got my own straight and narrow path back at home. but what if theres a split in the road? which way should i go? i choose to go dont look back theres no behind forward legs go, always forward. toward the unknown, always forward. my back hurts from all the shit i lift to pay my rent, i would quit if i could conquer all the way to where the heavens can reach then id speak what i saw, and in my speach you couldnt find a flaw. then i remembered: i cant complain theres air in my lungs and in my brain and its too much fun to always change dont look back, theres no behind forward legs go always forward. toward the unknown always forward.
5.
Tonight 04:36
My body's cold it's rugged and it's old inside a habitual killer but i dont mind ill die when i am dying and its time unless i quit first tonight. tonight. Ive got a box a box with all my stuff packed inside. some stuff is old some stuff will keep your body from feeling cold when youre walking a winter's night tonight. Im on my knees begging, 'Jesus, please, let me go." He shined the light and it burned my precious eyes i felt the glow. Im not going home tonight. not tonight.

about

inspired by freedum

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released September 1, 2011

featuring: tim hart john kolesnikow terry bircher chris klippel

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Chris Klippel San Francisco, California

"a catchy mishmash of his clarinet, guitar, and loads of falsetto harmonies over toe-tapping rhythms . . . some of the most inventive sounds I’ve heard all year." - The Bay Bridged

Nominated for The Deli SF Magazine's Best New Artist of 2013

"keeping our city funky and colorful, a bright contrast beneath the machine grey cloud of the tech-age." - The Deli Magazine
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